Absinthe Raymond Thi http://wormwoodsociety.org/media/reviews/photos/thumbnail/300x300s/8b/66/5c/431_IMG6633MS_1213729564.jpg

 
4.6
 
4.7 (1)
 

Product Details

Style/Color
Degrees ABV (% alcohol)
Year of Make (if known)
Country of Origin
Distiller/Manufacturer
Wormwood Society Editor Comments
From MThuilli: It had been produced by a small artisanal distiller from the Poitou-Charentes region and bottled at 65° (according to the label, I’ve tested it at 66°) in a very nice Grande Chartreuse bottle.<br />
The bottle has been found in the cellar of a very old bistrot 5 years ago, it has been seated upright for nearly a century and both the cork and level are perfect.


Editor reviews

Thanks to MThuilli for making some of this offering available for sampling.



The color is a deep amber with no visible sediment. A truly beautiful fuille morte, as you can see in the photos.



The louche was created with a fountain set on about 2 drops per second. The ice cold water produced a fantastic layering which built up to a wonderful greenish opalescence. It was nice and thick, but not so thick as to take points away.



Aroma had a bit of an alcoholic bite, but not to its detriment. Lots of things going on in here. Everything has married very nicely. You've got some anise in the forefront with a noticable caramel-ly, raisin-y tinge. Some leather and old books are a pleasant addition as well. The base alcohol's age is quite evident, giving it a characteristic very similar to old cognac. I could sit here and smell it all day.



The flavor was extremely enjoyable as well. This again shows the benefits of almost a century of aging. Marriage lends it a very smooth and light flavor with wormwood at the forefront and lots of smooth anise sweetness with a bit of a spicy white pepper finish. I pick up some veronica as well, but it's a stretch. It definitely has some Edouard characteristics like MThuilli mentions.



The finish is long but I wish it could last all night. Although the mouthfeel is thick, it's not overly so. Silky and creamy without being overbearing. It invites you to drink more and more. It was over entirely too quickly.



Overall, this was a nice treat. I wish I'd have bought two samples instead of one. An interesting insight into small batch, artisinal distilling from the height of absinthe's popularity.
Overall rating 
 
4.6
Appearance 
 
4.0
Louche 
 
5.0
Aroma 
 
5.0
Flavor / Mouthfeel 
 
4.0
Finish 
 
5.0
Overall 
 
5.0
Reviewed by Brian Robinson June 17, 2008
Last updated: June 17, 2008
#1 Reviewer  -   View all my reviews (165)

A sumptuous artisinal offering

Thanks to MThuilli for making some of this offering available for sampling.



The color is a deep amber with no visible sediment. A truly beautiful fuille morte, as you can see in the photos.



The louche was created with a fountain set on about 2 drops per second. The ice cold water produced a fantastic layering which built up to a wonderful greenish opalescence. It was nice and thick, but not so thick as to take points away.



Aroma had a bit of an alcoholic bite, but not to its detriment. Lots of things going on in here. Everything has married very nicely. You've got some anise in the forefront with a noticable caramel-ly, raisin-y tinge. Some leather and old books are a pleasant addition as well. The base alcohol's age is quite evident, giving it a characteristic very similar to old cognac. I could sit here and smell it all day.



The flavor was extremely enjoyable as well. This again shows the benefits of almost a century of aging. Marriage lends it a very smooth and light flavor with wormwood at the forefront and lots of smooth anise sweetness with a bit of a spicy white pepper finish. I pick up some veronica as well, but it's a stretch. It definitely has some Edouard characteristics like MThuilli mentions.



The finish is long but I wish it could last all night. Although the mouthfeel is thick, it's not overly so. Silky and creamy without being overbearing. It invites you to drink more and more. It was over entirely too quickly.



Overall, this was a nice treat. I wish I'd have bought two samples instead of one. An interesting insight into small batch, artisinal distilling from the height of absinthe's popularity.

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Overall rating 
 
4.7
Appearance 
 
4.0  (1)
Louche 
 
5.0  (1)
Aroma 
 
4.0  (1)
Flavor / Mouthfeel 
 
5.0  (1)
Finish 
 
5.0  (1)
Overall 
 
5.0  (1)
A clear autumnal brown on pouring, this artisanal offering didn't have the same vibrant amber of the Pernod Fils 1910, the only other vintage absinthe I can compare this to. But still, it was a thing to behold.

Sniffing before the louche brought forth a strong brandy-like aroma which soon gave way to cigars and leather, books and wood. The alcohol somewhat masked the herbs and the anise appeared especially subdued; this seemed to be the general theme of the Raymond Thi, at least for this semi-experienced absintheur.

The louche had the same slow transition as Pernod Fils 1910 but the final product was a thicker, milky honey with strong opalescence at the meniscus. The dark layer disappeared at about 3.5:1 and so did the aroma of the alcohol, bringing forth something much more balanced yet still spicy.

As I will most probably do with all pre-ban absinthes, I tried two glasses: one with sugar, one without.

Sugar didn't seem to marry as well with this absinthe as the 1910; it's almost as if they were at odds with each other. And this is where my affectation of this drink as a "man's pre-ban" came to mind. First, the strong, brandy-like aroma, then the fight against the sugar; finally, the second glass had a powerful wormwood presence and peppery flavour.

Again, an image of pitted leather lounges and mahogany bookshelves. I could see a handful of men armed with brandy snifters retiring to this den.

While the Pernod Fils 1910 taught me the value of an integrated, complex balance, the Raymond Thi 1914 had a sharper tone with a dry, strong, and minty wormwood forefront. This drink finally programmed my taste buds to recognise that dry bitter note of wormwood. And it was this wormwood-laden flavour that stuck to my tongue, allowing me to savour the finish for the next hour or so.

As Shabba has said below, the Raymond Thi somehow encourages you to drink it quickly and I found myself downing the two glasses in less than my usual twenty minutes per dose.

This was a version of absinthe heaven to me, to experience that lucid drunkenness from almost a hundred years past. Please forgive my labelling of this as a man's pre-ban and the imagery I've used, but there was a certain masculinity to this absinthe that I found myself revelling in.

Many thanks to MThuilli for this once-in-a-lifetime chance to taste a homegrown before homegrown was ever a concept.
Overall rating 
 
4.7
Appearance 
 
4.0
Louche 
 
5.0
Aroma 
 
4.0
Flavor / Mouthfeel 
 
5.0
Finish 
 
5.0
Overall 
 
5.0
Reviewed by dannyhawaii July 11, 2008
Last updated: October 07, 2008
Top 50 Reviewer  -   View all my reviews (7)

The Man's Pre-Ban

A clear autumnal brown on pouring, this artisanal offering didn't have the same vibrant amber of the Pernod Fils 1910, the only other vintage absinthe I can compare this to. But still, it was a thing to behold.

Sniffing before the louche brought forth a strong brandy-like aroma which soon gave way to cigars and leather, books and wood. The alcohol somewhat masked the herbs and the anise appeared especially subdued; this seemed to be the general theme of the Raymond Thi, at least for this semi-experienced absintheur.

The louche had the same slow transition as Pernod Fils 1910 but the final product was a thicker, milky honey with strong opalescence at the meniscus. The dark layer disappeared at about 3.5:1 and so did the aroma of the alcohol, bringing forth something much more balanced yet still spicy.

As I will most probably do with all pre-ban absinthes, I tried two glasses: one with sugar, one without.

Sugar didn't seem to marry as well with this absinthe as the 1910; it's almost as if they were at odds with each other. And this is where my affectation of this drink as a "man's pre-ban" came to mind. First, the strong, brandy-like aroma, then the fight against the sugar; finally, the second glass had a powerful wormwood presence and peppery flavour.

Again, an image of pitted leather lounges and mahogany bookshelves. I could see a handful of men armed with brandy snifters retiring to this den.

While the Pernod Fils 1910 taught me the value of an integrated, complex balance, the Raymond Thi 1914 had a sharper tone with a dry, strong, and minty wormwood forefront. This drink finally programmed my taste buds to recognise that dry bitter note of wormwood. And it was this wormwood-laden flavour that stuck to my tongue, allowing me to savour the finish for the next hour or so.

As Shabba has said below, the Raymond Thi somehow encourages you to drink it quickly and I found myself downing the two glasses in less than my usual twenty minutes per dose.

This was a version of absinthe heaven to me, to experience that lucid drunkenness from almost a hundred years past. Please forgive my labelling of this as a man's pre-ban and the imagery I've used, but there was a certain masculinity to this absinthe that I found myself revelling in.

Many thanks to MThuilli for this once-in-a-lifetime chance to taste a homegrown before homegrown was ever a concept.

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